Friday, January 25, 2008

The Logos of the Heart


Fr Thomas Hopko on C. S. Lewis' The Abolition of Man, from his commencement address at St Vladimir's Seminary in 2007:
I would also recommend today, and, again, if I could, I would also insist that all thinking Christians, and surely all seminary students and graduates, be required to read one other book that contains, in my view, the most incisive analysis of what has happened to humanity in the last fifty years. It is C. S. Lewis’s prophetic masterpiece written in 1944 called The Abolition of Man. This slender volume should be read slowly, methodically and carefully many times over. Parts of it, which I have read more than ten times, are still unclear to me. But its main point is crystal clear.

Lewis says that for human beings to see, know, love, adore and offer fitting thanksgiving for all that is good, true and beautiful in human life, and so to remain fully and truly human, they must possess and cultivate the uniquely human faculty that differentiates them from angels and beasts, and, we must also add today, from the artificial intelligence of electronic technology. Lewis calls this faculty the “Tao.” He says that it may also be called the “image of God” or the “spark of divinity” or the Law or the Logos or the Heart. (Today, if he knew Orthodox literature, he might have also said that it may be called the Nous.) Whatever one calls it, it is the faculty whereby human beings intuit and contemplate the basic truths of human being and life that ground all ratiocination, discourse and disputation. Lewis claimed in 1944 that if the methods of education prevailing in the schools of his day prove to be successful, this uniquely human faculty will be obliterated, and human beings as we have known them will no longer exist. It will literally be “the abolition of man.”

I am convinced that what Lewis foresaw has happened, and is still happening with ever more catastrophic consequences, in our Western and Westernized worlds. It happens that men and women who once were human are simply no longer so. They have become nothing but minds and matter, brains and bodies, computers and consumers, calculators and copulators, constructers and cloners who believe that they are free and powerful but who are in fact being destroyed by the very “Nature” that they wish to conquer as they are enslaved to an oligarchy of “Conditioners” who are themselves enslaved and destroyed by their insane strivings to define, design and manipulate a world and a humanity bereft of the God who boundlessly loves them.

Others have seen and said similar things to what C. S. Lewis saw and said: Fyodor Dostoevsky, Karl Stern, Alexander Solzhenitsyn, Thomas Merton, the alleged atheist Anton Chekhov, and my most beloved Flannery O’Connor are among my personal favorites.

An audio lecture by Fr Thomas on this work can be heard here.

"Be Completely Like Christ!"


Archimandrite Constantine (Zaitsev) on St John of Kronstadt:
That which was pictured by St. John Chrysostom as an inaccessible ideal — being at the same time a priest’s compulsory ideal! — namely, the blending of asceticism with the world, found full realization in St. John. Family life — transformed into brotherly cohabitation! A thick net of public happenings and opportunities converted into a weapon for the most strenuous and the most effective pastoral work! A golden rainfall, with all its inherent temptations — converted into immediate distribution of what was received, when one hand, not knowing what the other was doing, became, on the spot, by the miracle of insight, also a weapon of guiding pastoral grace! Fame, spreading from all Russia and becoming already worldwide, and power, placing St. John higher than any man — converted into a rostrum for the glorification of God and the preaching of Orthodoxy, and at the same time also into a means of attracting people to the ways of salvation — in personal contact with each one! And finally, in the last analysis — the revelation of himself to the whole world, the baring of his soul, making all, all, all participants in the mystery of "life in Christ" and calling for participation in this life with unattainable simplicity of conviction...

The priesthood, in its highest manifestation — revealed in all its fullness and purity, in all its power, reached to the limit, that is what the world was shown by "Batiushka" John of Kronstadt. All that the Orthodox Church has been saying for two thousand years through the mouths of Her best teachers — was revealed to every gaze as a heart-moving, human phenomenon of a humble Russian "batiushka"...

The consciousness of one’s infirmity in Christ — as a source of all-powerful strength! "If Christ is within you through frequent communion of the Holy Mysteries, then be all like Christ: gentle, humble, long-suffering, full of love, impartial to worldly things, contemplating of heaven, obedient, reasonable; have His Spirit within yourselves without fail, do not be proud, impatient, attached to the world, miserly and greedy for money."

"Be completely like Christ!" Living in Christ, St. John stopped considering his will as his own — being able to subject it to Christ!

Cited from Fr Constantine's "A Spiritual Portrait of Fr John of Kronstadt."

The Priest as Co-Redeemer


The following is taken from Metropolitan Anthony Khrapovitsky's lectures to future priests on the nature of the Mystery of Confession:
You are afraid of being repulsed by the people you try to exhort? Begin with those from whom you can expect a different attitude; just begin — just work on yourself, as I have written here, and approach this mystery with good will and prayer. If only God would let you taste that spiritual sweetness with which you could repeat the words of the father in the Gospel: "For this my son was dead and is alive, was lost and is found" (Lk. 15:32). You will do just as much good to him spiritually as you are doing to yourself. Like a young woman who has given birth to her firstborn, you will find completely new feelings in your soul — feelings hitherto unknown to you and unseen by worldly people — abundant waves of the holy feelings of love, compassion for people, exultant glorification of the Savior, and hence boldness for the holy faith and readiness to bear everything for the truth of Christ. Then you will understand, even if you did not understand it before the day of your ordination, that a priest is not an ordinary Christian, not an ordinary person, but a co-participant in the redemptive feat of Christ, bearing in his own soul the multitude of souls that has been entrusted to him. Then you will understand that the grace of the priesthood which has been given to you is not just "the right to perform Church services," but a definite moral gift, a special virtue of spiritual love, of which St. John Chrysostom, defining the essence of the priesthood, says: "Spiritual love is not born of anything earthly; it proceeds from above, from Heaven, and is given in the mystery of the priesthood, but the assimilation and maintenance of this gift also depends on the strivings of the human spirit." I have quoted these words of this Church Father more than once in my writings, for they set a seal with great precision on everything that has been written above.

Thursday, January 24, 2008

Russian Choral Music, Explained


Victor Borge knew more about Russian Church music than I ever would have anticipated, judging by this passage:
The rules about sacred music were even stricter. No instruments of any sort were allowed in church, which is why the men in Russian choirs developed those deep, organ-like tones. Women weren't permitted to sing in church at all, which is why the men in Russian choirs developed those high falsetto sounds. Then the Czars tried to figure out why nobody showed up for services. After they got church music messed up enough to suit them, the Czars tried to ban all other types of music, especially if they were fun.

A Dissertation on Dissertations


The following, a dissertation on dissertations, is taken from the Graduate Student Handbook for Theology at Fordham. It's a bit long, but I'm going to cite the entire thing, because it is one of my favorite things ever. Just read the whole thing; you won't regret it.

A. A Dissertation upon Dissertations

"The maintaining of a thesis, is a great part of the exercise a student is to undergo for a degree." Chambers Cyclopedia, 1727

The Dissertation or Thesis
The Latin term dissertatio means a discourse, disquisition, or disputation; by extension, a treatise on a subject. In its wide sense the word "dissertation" can be applied to a variety of literary products. (Charles Lamb wrote a humorous essay--you probably read it in grammar school--called "A Dissertation upon Roast Pig," in which he elucidates the origin of that succulent dish. This is probably the most famous literary work to describe itself explicitly as a "dissertation." Unfortunately, however, it will give you little guidance in planning your doctoral project; indeed, you would be ill advised to use it as a model.)

The sort of dissertation that you will soon be engaged in writing is also called a "thesis." If we ignore the use of the word in classical prosody (where "thesis" is contrasted with "arsis," and designates either the stressed as opposed to the unaccented metrical foot or--curiously enough--exactly the reverse), a "thesis" is a proposition or affirmation; by extension, a theme to be discussed, proved, or maintained against attack. Here we are on firmer linguistic ground. Your thesis, in our sense, is the theological proposition for which you will marshal evidence and arguments. Ideally, you should be able to formulate your thesis in a declarative sentence: "my thesis is that . . . ." Strictly speaking, then, a doctoral dissertation is the literary exposition of a thesis; in our permissive age, however, the two words may be used interchangeably.

What Is not a Dissertation
The set of all-things-not-doctoral-dissertations, as a logician might say, has a vast and varied membership. Ocean liners, the square root of minus one, and pickled herring spring to mind. There is in general little chance of mistaking most of these things for a doctoral thesis, even in dim light. There are, indeed, a few things that bear a superficial resemblance to dissertations—telephone books, for example—but the clever observer will soon learn to distinguish them. (In the case of the telephone book, for instance, one will quickly note a strict logical progression in its contents that sets it apart from all but a few dissertations.)

The problem of identification arises most acutely when one enters the realm of contents. Not every subject that might be of personal or scholarly interest constitutes a genuine "thesis"--in the narrow sense of the argument of a dissertation. If you were to discover a perfectly preserved first-century papyrus containing all the "Q" sayings in Aramaic, and were to publish it in facsimile with an introduction explaining how you found it, with a recipe for halvah on the back, in your Syrian great-grandmother's attic, the book would be of some interest to the scholarly world; but it would not constitute a doctoral thesis. (It might become one if you included a commentary, an argument that the document was original, and/or an explanation of its effect on Biblical scholarship.)

Other things that are not doctoral dissertations include: translations without commentary or critical apparatus; bibliographies or other instruments of research, however needed or useful they may be; essays not based on detailed research; mere compilations or digests of what is already known (by others, if not by you) about a given subject. A dissertation should not be thought of as a kind of gigantic book report, differing from those you did in high school principally in that it deals with a whole lot of books instead of just one. Although the writing of each chapter of a dissertation is not terribly different from the writing of a term paper, the whole must be more than a superficially linked series of such papers: it must have an overall direction and coherence. In general, anything that could just as well be done by a machine--whether a simple one like a pair of scissors (combined with a pot of glue) or a more complex one like a computer with a scanner--is not a proper dissertation. There must be more than just the transfer of information from one place to another.

What a Dissertation Is
A waggish author has remarked, "A thesis is much like a graduate student: it has a limited purpose and a small audience; it is often insecure and defensive, justifying itself with excessive documentation; it is too narrowly focused; and it has not yet developed a style of its own."

There are in our experience no graduate students in the theology department who fit this description; but it is nevertheless helpful in delineating some of the characteristics of a doctoral thesis.

Purpose. The writing of the dissertation is at the same time the last part of your formal education and your first major work of independent scholarship. It is meant to train you in the skills needed to be a competent and productive member of the academic community, and to develop expertise in some limited area. The finished product is meant to demonstrate a number of things: that you can do scholarly research; that you have the ability to ask significant questions; that you have something original to contribute; that you can communicate intelligibly and in accepted academic form; that you can perform a task within an allotted time framework; that you have competence in your field,and are familiar with the relevant literature; that you can defend a position against objections that may beraised; that you know and can use appropriate theological methods.

Your thesis is not simply a test of your competence, however; it is also meant to be a contribution to the field you are entering. It should add something new to scholarship: for example, the uncovering of new data; a new interpretation or theory or synthesis regarding data already at hand; a new evaluation or judgment of data or theories or their results; the solution of a problem hitherto unsolved; the construction of a theory involving new principles; a critical study correcting errors or establishing negative conclusions; or the proposal of a new method or course of action to be followed. A thesis must be arguable: that is, on the one hand, it must be able to be demonstrated by convincing arguments; on the other hand, it must say something that is not perfectly obvious, and that therefore could conceivably be contested. A good thesis will not argue that the Pope is Catholic or that liberation theologians are interested in social justice.

Audience. You may one day turn your dissertation into a book, during the many leisure hours you can expect to enjoy as a well-paid and pampered junior faculty member at the fortunate college or university that you select from the many that will vie for your services. You will then bask in the admiration of the theological world and the less critically grounded adulation of the general public, while living luxuriously on your vast royalties. Perhaps there will even be a lump sum for the movie rights.

At the moment, however, your audience is more limited. Most immediately, you are writing for a faculty committee whose function is to oversee and aid in this last step in your education and to evaluate your performance. This committee represents the theological academy"--the scholarly and professional community to which you are seeking entry. Every dissertation, therefore, is addressed to an academic audience--even if its subject matter is relevant to pastoral practice, or to Christians in general, or to society at large.

Genre. The doctoral dissertation is a sui generis literary form. It is first of all a work of scholarship. This can mean somewhat different things in the different branches of theology. Under the influence of the positive sciences, whose criterion for truth is empirical facticity, American academia tends to subsume nearly all scholarly activity under the rubric "research." In the human and divine "sciences," however, truth is not reducible to fact, and scholarship is not reducible to research. Some areas of theology--textual, exegetical, and historical studies, for example--will have a strong emphasis on positive data and the exposition thereof. Others--foundational, dialectical, hermeneutical, and systematic studies--begin with a level of experience that is non-empirical, and emphasize reasoning and judgment. In these fields, a thesis must be more than mere exposition, either of data or of others' opinions.

In every specialization, however, research is one important component of theological scholarship, and your ability to do it is one of the main criteria on which you will be judged. It is of course possible for a work to make a great contribution to theology without much research or citation of sources. In the introduction to his magistral work Insight, Bernard Lonergan warns the reader that 'this is not an erudite work'--by which he means that he does not give many references to sources outside his own thinking. And the young Maurice Blondel submitted what some might regard as the ultimate doctoral dissertation: a five-hundred page personal reflection with only a handful of footnotes expanding on the text and no references to sources. However, unless you are another Bernard Lonergan or Maurice Blondel, your dissertation should be well researched. It should show that you have done a thorough review of the literature and are mentally engaged with other scholars in your project. All statements that you make must be defensible: i. e., supported either by appeal to sources or by argument. The privilege of making apodictic statements, hasty generalizations, and gratuitous assertions is reserved to those who have already attained the giddy eminence of the doctorate.

Focus. A theological dissertation should present a thesis that lies within the bounds of the discipline of theology. This might seem obvious; but the observance of the rule involves a notion of just what theology is and what those bounds are. It is fairly easy to distinguish theology from, say, physics or biology; but how is it related to philosophy; to sociology; to psychology; to church dogma; to religious studies; to spirituality; to religious education; to piety? What is the difference between "history" and "historical theology"?

Moreover, the scope of the thesis must be rather narrowly defined. It is not intended to be your life's work, but only a limited exercise. It must focus on an area that can be dealt with thoroughly and in depth within a limited amount of time and in a finite number of pages. It presupposes an audience already knowledgeable in the field.

Style. A dissertation should naturally be written well. On the most basic level, this means using proper grammar and being acquainted with the elements of style. Many students write run-on sentences, they join independent clauses with a comma or even with no punctuation at all they should instead use a conjunction between the clauses or separate them by a semicolon or a period. Also, incomplete sentences. They sometimes fail to place a comma before conjunctions introducing dependent clauses for they are not well acquainted with the rules of grammar. Being graduate students, there is a tendency to use dangling participial phrases; as inexperienced writers, adjectival phrases are treated in the same way. It is fortuitous that most students do not fall into the lacuna of improper word usage. But in a sea of mixed metaphors, their writing sometimes fails to bear fruit of ironclad perfection. Be very careful of this, as well as using pronouns with no clear referent, speling, and that parallel construction is used to express correlative ideas. After all, it can be embarrassing when the first question from the readers at your defense is,"Did you ever go to high school?" If you use this document as your model and proofread carefully, especially if you use a word processor to alter your text, and you will have no difficulties.

Accuracy, conciseness, and clarity are more important in a dissertation than elegant phraseology. This is not the place to wax poetic or--even worse--homiletic. Humor is of course totally out of place in the Grove of Academe.

A dissertation must be methodologically self-conscious. It must justify its method and structure and continually demonstrate their presence. In the Beatles' film "Help!" the assistant to the mad scientist uses "scientific method" by describing into a tape recorder each step of his procedure, including walking from one place to another. "I am now moving my left foot . . . I am now moving my right foot. . . ." You need not go quite so far. But the "skeleton" of your work--its outline--should show through. The progression of your argument or exposition should also be made clear to the reader. But this can be accomplished without falling into the dissertation style that Beth Luey caricatures: "Here's what I'm going to say. . . . Look! I'm saying it. . . . Here's what I just said."

A Final Word
One last bit of advice. The peculiar nature of a doctoral dissertation obviously puts constraints on its style, as well as its content, form, and method. However, the readers, for all that they are professional theologians, are also human beings (at least this is considered by moralists to be a probable opinion). Therefore, keep in mind the injunction found in the ethics of the Zoroastrians: "Strive not to bore your fellow creatures."

The Solzhenitsyn Reader


It's a real pity, although not a surprising one, that so little attention is given nowadays to Aleksandr Solzhenitsyn, arguable the world's greatest living author. Now that Soviet Communism is a thing of the past (or so they say) and questions of moral and spiritual importance have been largely trivialized by rampant relativism, there seems to be no place in the public square for a thinker such as Solzhenitsyn. We are all the worse for it. Yet Solzhenitsyn is not simply the great political prophet of the twentieth century; he is also an author of extraordinary depth and eloquence.

Those who have either not read Solzhenitsyn in some time, or who have had the misfortune of never having read him, can find no better starting point than the recently published volume entitled The Solzhenitsyn Reader: New and Essential Writings: 1947 - 2005, edited by Edward E. Ericson, Jr. and Daniel J. Mahoney. Solzhenitsyn himself endorsed this volume in the following words:
I welcome the appearance in print of the Reader, and especially of those selections previously inaccessible to English-language readers. It serves the demand of the modern age for capsule form, yet preserves the integrity of the texts.
Here is an excerpt from his story "The Easter Procession," which takes place in a Moscow church a half century into the Soviet era:
And this is the start of the picture which I would so like to paint, if only I could: the churchwarden's terror that the builders of the new society may close in, jump on him, and beat him up. The spectators can sense his fear.

Girls in trousers, holding candles, and boys with cigarettes stuck in their mouths, in caps and unbuttoned coats -- some with immature, moronic expressions of totally unfounded self-confidence; others with simple, credulous faces. A lot of these must be in the picture -- tightly packed, watching a spectacle which cannot be seen elsewhere for any money. Behind the lantern come two men carrying a religious banner, and they too, instead of walking apart, are huddling together from fear.

After them come ten women in pairs, holding thick lighted candles. They must also be in the picture, elderly women with faces set in an unworldly gaze, prepared for death if they are attacked. Two out of the ten are young girls of the same age as those crowding round with the boys, yet how pure and bright their faces are. The ten women, walking in close formation, are singing and looking as solemn as though the people around them were crossing themselves, praying, and falling to their knees in repentance. They do not breathe the cigarette smoke; their ears are deaf to the vile language; the soles of their feet do not feel how the churchyard has been turned into a dance floor.

And so the real procession begins. A slight tremor runs through the crowd on both sides and the noise has died down a little.

The women are followed by seven men, priests and deacons in bright copes. As they are walking out of step and bunched together, they get in each other's way, and there is almost no room to swing their censers or raise the ends of their stoles in blessing. Yet this is the procession in which, had he not been dissuaded from taking part, the Patriarch of All Russia should have walked and conducted the service.

The tightly packed little party hurries by -- and that is all there is of the procession.
Click here for an article about Solzhenitsyn's friendship with Fr Alexander Schmemann.

Biblicalia

Mike Aquilna, proprietor of The Way of the Fathers, brought my attention to Kevin P. Edgecomb's excellent web log Biblicalia, which I have added to the webography below. I am very gratified to see that such thoughtful and erudite people are writing about historical Christianity. 

If any other readers have suggestions for other web logs of this calibre, do share.