I was overjoyed to receive the other day an advance copy of The Boundless Garden: Selected Short Stories, Volume I, by Alexandros Papadiamandis, the first of a projected three volume series. I thus far have had time only to admire it briefly, so I'll limit myself, for the moment, to citing the description on the back cover:
ALEXANDROS PAPADIAMANDIS (1851–1911) lived in the midst of an uncertain age of transition for modern Greece. It was a period of post- Enlightenment turmoil that followed closely on the heels of Greece’s War of Independence, when the traditional old ways were being undermined and were fast disappearing under the pressure of the indiscriminate adoption of western mores and ideas. His reflections on and observations of some of the most complex facets of Greek life in both his native island of Skiathos and in urban Athens during this time define the modern Greek experience in a way unattained by any of his now forgotten contemporaries. His loving attachment to the old, traditional ways have marked him out for some as conservative, even reactionary, but it was an attachment tempered with an innate and deep understanding of how the past breathes life into the present, an understanding which is as relevant in our times as it was in his.This is a book that you really all should have. A relatively small number of copies was printed, and that by an independent publisher (Denise Harvey, the widow of Philip Sherrard), so you should order soon, and often. Pre-orders are available through Uncut Mountain Supply, which can be placed by email or phone.
The stories presented in this selection by Alexandros Papadiamandis encompass the main and universal themes that best exemplify his work. In them he records and recreates that modern Greek experience as it was lived in its many perspectives — displacement, emigration, home-coming, estrangement, exile, attempts to reclaim lost innocence, visions of Paradise, the daily struggle for survival — and explores the souls of men and women as they succumbed to or struggled against the power of evil and dealt with life’s ambiguities. Within these themes Papadiamandis also embraced the mythic past as it survived through people’s belief in supernatural wonders and which animated the countryside with haunted ruins, nymphs and fairies and the sea with mermaids and Tritons. His was an authentic expression of a reality that he saw as a seamless whole in which man,whether or not he is conscious of it, spirits and the natural world all participate in a living liturgical now, ever moving towards their eternal source.